COP 2 proposal

Friday, 14 December 2018

Summative report

At the beginning of the project, i wanted to explore the idea of drag culture through my admiration for the tv show, ‘Rupaul’s drag race.’ The show gave me an interesting insight into the world of drag and i was fascinated by the contestants’ backstory  in which they shared on the show. I wanted to explore this idea of drag being something more than just a man dressed as a woman - an art form - a performance. I wanted to show people who perhaps haven’t given the show time to understand the true effort and skill it takes to become and be labeled as a drag queen.

In my initial development, I looked at the history of drag, reading books and exploring cultures, investigating the representation of drag in ancient era and how it was accepted/not accepted. It was really interesting to gain insight into people’s lives and find out more about what cross-dressing means to them. I started to find that the amount of research was quite overwhelming and I became invested in reading books on the history which wasn’t exactly helping me to establish and refine a question for my dissertation.

I started to narrow my research down a bit and look at key themes and theories which would work with my project. I thought it would be an interesting concept to really analyze the tv show and explore the ways in which drag is represented - through this I started to create some practical responses in which show this ‘ideal drag queen’. I wanted to really accentuate and exaggerate the features, emphasising the drag aesthetic. I thought it would be interesting to play around with symbolism and semiotics.

Overall i think this project was very successful. I decided to really come out of my comfort zone and try something new with regards to the more expressive, energetic style posters. I think this creates great synthesis with the research undertaken. One of the reasons why it was so successful was probably because I looked at all possible practical directions in my approach. I wanted to explore all areas to select the most appropriate style of work. My use of photocopying and scanning with combinations of analogue and digital creates a real sense of struggle and drama - the textures present show the struggle for acceptance.

Getting some first hand research by interviewing current drag queens was a very important aspect of my project as it allowed me to delve deeper inside this idea of drag representation and listen to in depth stories about their own personal experiences/influence, which was a pivotal part of my outcomes. Using some of my own photos which was I used in my posters was also a successful element.

I found the initial stages of the project particularly difficult in regards to creating a practical response. I didn’t want to create work which was predictable and generic, I also didn't want to create work which was tacky and ketch (which is probably present in my initial prints). I overcame this problem through crits and narrowing down my research further to generate a research question, an area to respond to.

My Punk inspired posters depict that real sense for struggle for acceptance. The texture created through experimentations depicts the struggle and hardships drag queens have been through. There is a clear representation of the subcultural element and this idea of wanting to break free and become mainstream. There is something quite dark and haunting about them but showcases the artistic element through paint brushes and strokes. If I had longer on this project i would maybe make some more posters and look to increase the scale even further.

Monday, 10 December 2018

Practical crit part 2


Positives:

Testing and experimenting - widespread across different mediums

A lot of thought has been put in to create posters

Powerful, liberating

Exciting build up to to collage in A3 format. Engaging and emotional presentations

Interesting combination of type and imagery.

The nature of collages shows great synthesis and back up your points well.


Possible actions:

A1 print of one of the posters? so build and expressive, would let them achieve their full potential.

Potential zine?

Think about how you are going to present your work?


Tuesday, 20 November 2018

Practical crit

Reflection

After my experimentation with acetate and mono prints, i had some interesting feedback regarding this idea of using all methods of visual research. Combining all techniques to create this real visual metaphor of breaking free from the male exterior. They touched upon my use of bright colours to represent the extra, ketch nature of the drag culture.

I think I will definitely look to combine all practical elements to create interesting collages - an explosion of artistry through a combination of both analogue and digital.

This idea of being 'trapped in the confines of masculinity'  was something which people seemed to enjoy.

Thursday, 15 November 2018

New direction


After reading some books on subculture theories, I thought it would be really interesting to explore this is a practical sense. I strated to look at punk posters and found the DIY effect and torn, expressive, photcopied images was really interesting and reflected that idea of rebellion. This would be an interesting concept to investigate further with - using my own photos of current drag queens and manipulating them creating some punk inspired posters.

Tuesday, 13 November 2018

Practical ideas


Mono printing experiments:

I decided to start thinking about my practical element and used some cut out shaped stencils to create some symbolic representations of what drag is.

My group crit was extremely helpful as it lead me into new directions. In reflection, it would be interesting to play around with assetate experiments, layer them and see what kind of result. It would represent this idea of concealment through make up and the assetate would resemble the mask - gradually peeling away so you end up with the boy out of drag.

It also gave my ideas on installations and projections - projecting objects with interesting feminine connotations onto the male body?

Monday, 29 October 2018

Reseacrh presentation


Reflecting on Research

This article I read on Rupaul's effect on the modern day drag. It talks about how the popularization of drag is due to the competition aspect of the show and this idea that the origins of drag have kind of been forgotten in an attempt to attract as many views as possible, with drag queens striving to become the 'ideal drag queen'. I found this very interesting as it touches upon this idea that drag should be about acceptance and inclusivity, but because of this, it becomes very exclusive.




Monday, 15 October 2018

Further research


Reflection

I have been reading numerous books over the past few weeks, mainly looking at the history of drag. I have found it extremely interesting exploring different cultures and looking at origins. I do however feel that because there is so much information on drag culture, I really need to start narrowing down my ideas and start thinking of a question. Right now I feel a little overwhelmed with all the information.

It would perhaps be interesting to explore drag in the modern day era to say how they compare? Maybe start to look at theories and critiques of Rupauls drag race, to help me figure out the kind of question I want to be asked.

Tuesday, 9 October 2018

Prject proposal/presentation



Summer:

Over the summer I was starting to think about a potential dissertation topic. Following on from my work last year I wanted to stick with this idea of colour theory and its gender associations. I wasn't able to fully immerse myself into the depths of research for this topic as I went away on my study abroad.

In addition to this, I was also thinking about doing something with drag queens and this idea that there is more to drag than simply a man dressing up as a woman. Through this i could look at identity and alter egos. My love for Rupaul's drag race is a catalyst in this decision.

After my initial group crit, it gave me further encouragement to go ahead with researching drag culture, its history and why/how it became popular. Focusing on the art of drag and the talent that goes into it.

The crit got me thinking how this type of project relates to my practice. My work is very striking and in your face which interestingly is what the drag aesthetic is all about - this idea of making a statement, communicating a point with drag. I could almost use it to empower my work and myself.

Interviewing current drag queens could give me a good insight into their opinions on the representation of drag and of course their own personal stories.

Reflecting on my crit more, I need to start reading more books about drag, and theories of femininity and masculinity. Also looking at this idea of hyper-femininity and exaggeration.

Possible outcomes?

Make a guide? illustarting different drag looks

Performance? Photography? Film?

Action plan?

I aim to continue reading books and looking at theories regarding femeninity. Hopefully this will allow me to establish some kind of question. and then i can start thinking about creating practical elements.

Sunday, 7 January 2018

Study task 3b - project overview


What have I found out so far?

For most of the 19th Century, white clothing was used for children because it was both conventional and affordable. Colour's were not assigned to specific genders.

'Pure white is used for all babies' Blue is for girls and pink is for boys, when a colour is wished.' (Ladies' Home Journal 1890)

Originally, blue was more associated with females because of the Virgin Mary image.

Blue was considered more of a dainty and pretty colour, therefore more suitable for girls.

Tradition maybe originated in Ancient Egypt where boys were seen as a 'gift from the heavens' therefore associated with blue.

German Nazi concentration camp allocated 'homosexuals with the 'pink triangle' sewn into their clothing.

Blondes have more of a pastel lighter, colder hue preference than brunettes, this relates to the idea of blondes (blue eyes) more suites to blue than pink. (blue being the colder colour)

Someone who has a preference for the colour pink, seeks tenderness, affection and gentility.

Blue-collar worker (manual working class men wearing blue denim)